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03-May-2014 13:34 by 9 Comments

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In the words of one critic, "If an Egyptian film intended for popular audiences lacked any of these prerequisites, it constituted a betrayal of the unwritten contract with the spectator, the results of which would manifest themselves in the box office." the entrepreneur and translator Anis Ebeid established "Anis Ebeid Films", as the first subtitling company in Egypt and the Middle East, bringing hundreds of American and World movies to Egypt.Later he entered the movie distribution business too.

Actor Khaled El Sawy has described these as films "where there is no story, no acting and no production quality of any kind...The cinema of Egypt refers to the flourishing Egyptian Arabic-language film industry based in Cairo, the capital of Egypt.Since 1976, Cairo has held the annual Cairo International Film Festival, which has been accredited by the International Federation of Film Producers Associations.The Egyptian Castle presents to you Arabic Movies online. Since 1997 we have featured hundreds of Arabic Movies for famous Egyptian actors for our fans around the World, allowing them to stay in touch with home even when they are away from home. These Arabic Movies are hand picked for you especially if you are living abroad. Films such as 1972's Khalli Balak min Zouzou (Watch out for Zouzou), starring "the Cinderella of Arab cinema", Suad Husni, sought to balance politics and audience appeal.

Zouzou integrated music, dance, and contemporary fashions into a story that balanced campus ferment with family melodrama.By 1966, the Egyptian film industry had been nationalized.As is the case regarding all matters during that period, diametrical opinions can be found about Cinema industry then.A social commentary on the decline of Egyptian youth, the film was produced on a low-budget and with the attendant low production values. Its controversial subject matter, namely, the sexual undertones in today's society, was seen as confirmation that the industry was finally beginning to take risks.A major challenge facing Egyptian and international scholars, students, and fans of Egyptian film is the lack of resources in terms of published works, preserved and available copies of the films themselves, and development in Egypt of state and private institutions dedicated to the study and preservation of film.The 1940s, 1950s and the 1960s are generally considered the golden age of Egyptian cinema.